Don Hasman is a pioneer in Indonesian photography and exploration, celebrated for his groundbreaking work in ethnophotography and cultural documentation. With a career spanning decades, he has traveled to some of the most remote and culturally rich corners of the world, capturing humanity in its most authentic forms. As the first Indonesian to reach Everest Base Camp in 1976 and a lifelong observer of the Baduy people, his work transcends mere visuals, offering profound insights into the diverse ways of life he has encountered. Through his photography, writing, and relentless curiosity, Don Hasman has built a legacy of bridging cultures and inspiring generations to embrace exploration and understanding.
What drew you to photography, especially ethnophotography? Was there a specific moment or photo that made you realize this passion?
I was first introduced to photography in 1951 when I experimented with my brother’s camera. I became fascinated with capturing the daily activities of people around my neighborhood in Taman Sari, West Jakarta. This early interest ignited my passion for photography, particularly ethnophotography.
Because of this interest, my siblings bought me my first camera, a Zeiss Ikon & Contax. At the time, photography was an expensive hobby. I saved my pocket money to buy film, often purchasing it from Pasar Baru. Occasionally, I even received film from a nearby studio located behind Lokasari. I learned the basics of photography there, and they allowed me to participate in developing and processing film.
Throughout your journey in ethnophotography, who has influenced you the most?
I was deeply inspired by the works of international photojournalists. In the late 1950s, I read magazines like National Geographic, Life, and Look. My older brother, who worked for the Aneta news agency, often brought home old issues of these magazines and photos sent from Singapore for publication in Indonesian media. These images profoundly shaped my vision as a photographer.
How do you approach photography in culturally sensitive environments? What ethical considerations do you prioritize?
Respect and ethics are paramount. One must never interfere or impose on the subjects. Unfortunately, many photographers prioritize getting the perfect shot over respecting the community. Before visiting a community, I research the location and subjects or consult with friends who have been there. This preparation ensures a respectful and informed approach.
How do you prepare for a cultural photography expedition?
Thorough research is my top priority. In the past, without the internet, I relied on libraries and firsthand accounts from people who had visited the location. Preparation involves understanding the place and its culture thoroughly. Once on-site, I aim to capture everything possible, leaving no stone unturned. While plans sometimes don’t go as expected, what matters is the initial research and preparation.
Have you faced significant challenges or resistance while photographing cultures? How did you handle them?
Many times, especially during my journalistic work, I encountered restricted areas. I always sought permission from relevant authorities, and if denied, I respected their decision. Personal approach matters—introducing myself and explaining my purpose helped gain trust. This approach ensured my subjects felt comfortable and respected.
You were the first Indonesian to reach Everest Base Camp in 1976. How did you prepare for such an expedition given the limited information available at the time?
After traveling with friends by car from England to India, we sold the car and I continued alone to India. I gathered information by asking locals and travelers who had been to Everest Base Camp. It was a mix of determination and improvisation. Along the way, I suffered from mountain sickness and was aided by a kind German woman who provided oxygen. This experience taught me the importance of meticulous planning and preparation.
What attracted you to the Baduy people, and how were you eventually accepted into their community?
I love challenges. Immersing myself in the Baduy community required immense effort. Next year marks 50 years of my interaction with them. Understanding and documenting their lives was difficult. Photography and interviews were prohibited, and initial conversations were often met with silence or avoidance. Over time, I built trust through casual conversations and consistent visits. Personal gestures, like bringing gifts, also helped. It took over 20 visits and eight years before they truly trusted me.
One unforgettable experience occurred about 25 years ago when I got lost in a stormy forest near Baduy Dalam. Without proper gear, I had to navigate in darkness using lightning as my guide. These experiences, though challenging, deepened my respect and connection with the community.
You mentioned the term “Urang Kanekes” to describe the Baduy people. Can you elaborate on this?
In 1999, I discussed this with academics from Leiden University and fellow Baduy researchers. I pointed out that the term “Baduy” was inaccurately attributed based on geographical features like the nearby Baduy River and mountain. However, the community prefers being identified by their village or “Kanekes,” the river running through their settlement. My upcoming book will delve deeper into this topic.
Why did you choose to undertake the pilgrimage to Santiago de Compostela?
In 1998, I heard about the pilgrimage while speaking in Rotterdam. Intrigued, I began researching it, reading around 11 books over the next seven years. In 2007, I finally embarked on the journey via the Camino de Frances route.
A memorable moment occurred at Fisterra, where pilgrims traditionally make wishes. Though initially skeptical, I prayed for my family’s financial difficulties to ease. Astonishingly, within 24 hours, I received news of a sold inheritance property, resolving our issues. Whether coincidence or divine intervention, I remain grateful.
What advice would you give to those dreaming of walking the Santiago de Compostela?
Understand your purpose for undertaking the journey. Prepare thoroughly for what lies ahead and embrace the experience fully.
Most of your travels were self-funded. What motivates you to continue exploring?
I’m driven by curiosity and the thrill of discovering new places. Growing up reading magazines like National Geographic inspired me to visit the incredible locations featured in their pages.
How do you maintain physical fitness at your senior age?
I engage in brisk walks every morning. After rain, I prefer walking later in the morning when the air is humid. Regular exercise in natural surroundings keeps me fit.
Do you have plans to create a work that encapsulates your life’s journey?
Yes, I am working on an autobiography that will cover my family, career, and travels. The book, spanning around 200 pages, is nearing completion. While exhibitions no longer interest me, this book will be a testament to my journey.
Is there a dream destination you have yet to visit?
Peru remains on my bucket list. I’ve extensively researched the itinerary and costs, and I dream of extending the trip to Chile and Ushuaia. Hopefully, this dream becomes a reality.
What message do you have for photographers that starting their journey?
It’s never too late to start. Photograph what you can, and most importantly, take action instead of just planning.
Don Hasman’s story is one of unwavering passion, resilience, and an unrelenting curiosity to explore the world. From his early days of saving pocket money for film to his groundbreaking expeditions and deep cultural immersions, his journey highlights the power of determination and respect for humanity. Through his lens, he not only captured moments but also fostered connections and understanding across cultures. His life’s work continues to inspire those who dream of blending creativity with exploration, proving that a deep love for learning and adventure can open doors to extraordinary experiences.
