Sofi Aida Sugiharto: Her Immersive Journey From The Land into The Ocean
Beneath the waves and far from the conventional realm of terrestrial photography, Sofi Aida Sugiharto has carved a niche that melds artistry with exploration. Her journey into underwater photography began with a simple desire to capture her children’s moments, but it evolved into a profound exploration of the submerged world. From her first dive in 2004 to her current pursuits across diverse genres like landscape and drone photography, Sofi’s lens has continually sought to reveal the unseen. Her work not only reflects her technical skill but also her deep connection with the world’s most remote and enigmatic places.
How did your interest in underwater photography begin?
My passion for photography started with capturing moments of my children. Back then, I was using a film camera, and later I transitioned to a digital camera with a 2-megapixel resolution. It wasn’t until 2004, when I began diving with my husband, that I discovered an entirely different world beneath the water’s surface. I felt an overwhelming urge to share what I saw underwater, and photography became the most straightforward medium for me to visualize these experiences. In 2006, I decided to pursue the PADI Underwater Photography Specialty. By 2013, my interests had expanded to include landscape, nature, and drone photography, and I’ve continued to explore these fields ever since.
How do you balance your life and photography?
I ensure that I manage my time well, dedicating time to my family, hobbies, and work. In this digital age, it’s much easier to maintain this balance because many tasks can be completed online, allowing me to stay connected and productive without sacrificing personal time.
What are your favorite genres of photography?
Underwater photography, unique tribes, and cultural photography are my top favorites.
What future destinations are you looking forward to exploring next?
Antarctica is at the top of my list. I’m eager to witness penguins and polar bears in their natural habitats.
Can you share a memorable experience with Mahacaraka? Why?
One of my most unforgettable trips with Mahacaraka was in Siberia, Russia. The extreme terrain and weather, with temperatures dropping to minus 51 degrees Celsius, made it a challenging experience. However, the sunrise views were breathtaking. I lived with the Nenets tribe, observing their daily activities and even participating in their migration. It was a once-in-a-lifetime experience.
Are there any photographers or artists who have influenced your style of photography?
I don’t have a specific name in mind, but whenever I see something I like, it often becomes my next destination or serves as a reference for my work.
What is the most underrated and overrated destination you have visited so far? Why?
China is the most underrated destination, in my opinion. Contrary to the negative testimonials I had heard, I found the country much cleaner and more organized than expected after several visits. On the other hand, I feel the U.S. is somewhat overrated. Despite being a large and modern country, it has its challenges, particularly with crime.
What are some of the most challenging and rewarding aspects of capturing underwater environments?
One of the most challenging yet rewarding experiences was photographing a blue whale in Sri Lanka. We were freediving, so we had to jump from the boat quickly as it approached the whale. We had to dive deep and fast to capture the whale before it disappeared into the depths, which is the opposite of the relaxed technique we usually learn in freediving. Additionally, other boats were around us, and unlike in diving, there was no buoy to mark the divers below, making it a more intense experience.
What are some of the proudest achievements you’ve accomplished in photography so far?
My photographs have been widely published in many Indonesian diving books and local diving magazines, with one even gracing the cover of a Russian underwater magazine. I’ve also had the opportunity to share my experiences as a speaker at various underwater photography and diving events, such as ADEX in Singapore, MIDE in Malaysia, and some photography communities in America. Moreover, I’ve received several awards, including the Adam Malik Memorial Award at the SFI 40th, Photographic Society of America (PSA), and Fédération Internationale de l’Art Photographique (FIAP) of France.
Sofi Aida Sugiharto’s photographic journey is a testament to the power of passion and perseverance. From the icy expanses of Siberia to the depths of the ocean, her work transcends mere documentation, offering a window into worlds often untouched by the average observer. As she looks toward future adventures in Antarctica, Sofi’s story continues to inspire and captivate, reminding us of the boundless beauty that lies just beyond the horizon and the transformative impact of capturing these moments through the art of photography.
Jahja Teguh Widjaja: Capturing Life Through the Eyes of a Pulmonologist
In the heart of Bandung, a seasoned pulmonologist, Jahja Teguh Widjaja spends his days treating patients and educating future doctors at Maranatha Christian University. Yet, beyond his medical expertise lies a profound passion for photography, particularly in the genres of documentary and street photography. This interview explores the fascinating journey of a man who has found a way to balance a demanding career with an equally demanding hobby, capturing the essence of life through his lens.
Can you tell us a short story about your journey as a pulmonologist and how you developed an interest in photography, particularly documentary and street photography?
I have been practising as a pulmonologist at Immanuel Hospital, Bandung for 25 years. Additionally, I am a full-time lecturer in Respiratory Diseases at the Faculty of Medicine, Maranatha Christian University, Bandung. My journey into photography began in 2013 when I attended the Salon Foto Indonesia exhibition in Bandung, organised by PAF Bandung. On a whim, I decided to visit the exhibition and met some PAF members who invited me to participate in a photography competition. At that time, I had just bought a camera and didn’t know how to use it properly, so I used the auto setting and gave it a try. Surprisingly, I won the first runner-up award. This success motivated me to take photography more seriously. I joined PAF Bandung and frequently attended photography workshops in Bandung and even Jakarta.
From the beginning, whenever someone asked me what subjects I preferred to photograph, I always answered people. At that time, I had no understanding of photography genres. Over the years, I have experimented with various genres, but I have always gravitated towards photographing people. My passion eventually narrowed down to Documentary, Culture, and Street Photography.
How do you balance the demands of your medical profession with your passion for photography?
I do not compartmentalise my life. When I am working as a doctor, I fully dedicate myself to serving and helping my patients. As a lecturer, I focus entirely on imparting knowledge to my students. When I am out photographing, I do it earnestly and wholeheartedly to capture the best images I can. The key is to embrace everything wholeheartedly and joyfully.
What sparked your interest in photography, particularly in the genres of documentary and street photography?
Photography allows me to create works that express my response to the world around me. My interest in photographing people likely stems from my daily interactions with people in my medical practice. Documenting human activities in a spontaneous and candid manner through documentary and street photography has become a style that I thoroughly enjoy and resonate with.
Are there any photographers or artists who have influenced your style and approach to documentary and street photography?
In Indonesia, I admire Erik Prasetya and his concept of “Estetika Banal.” I also appreciate Beawiharta’s journalistic documentary approach and have learned a lot from Agung Prameswara about creating photo stories. Internationally, I enjoy the spontaneity of Saul Leiter and Daidō Moriyama, the neatness of Matt Stuart’s street photos, and the street documentary styles of Robert Frank, Fred Herzog, and Joel Meyerowitz. Alex Webb’s complex, multi-layered dramas, Fan Ho’s classic style, Lee Jeffries’ street portraits, and the social documentaries of Sebastiao Salgado and Abbas are also significant influences. For travel documentaries, I admire Michael Yamashita and Steve McCurry. I don’t just know their names but also collect their photo books.
What inspired you to create the best-selling photo book “PANDEMIC”? Can you share some insights into the process of documenting the pandemic situation at your hospital?
During the Covid pandemic, I was responsible for leading the covid team at Immanuel Hospital, Bandung. I decided to document the efforts of the medical staff as they battled to care for covid patients. As a doctor involved in treating these patients, I took photographs of my colleagues while still performing my duties. Technically, it was challenging, as I had to wear full protection while taking the photos. Over time, I accumulated a substantial collection of photos, which led to the idea of creating a photo book, eventually published as “PANDEMIC.”
Do you have any upcoming photography projects or exhibitions that you are excited about? Can you give us a glimpse into what’s next for you?
I am planning to create a second series of the book titled “PANDEMIC: A MEMOIR.” This book will not only feature photographs but also include short notes from medical staff and patients about their experiences during the pandemic.
Can you share a memorable experience or story from your photography adventures?
Every experience and moment in my photography journey is precious and memorable.
You’ve joined several Mahacaraka adventures. What makes Mahacaraka unique for you?
There are several aspects that make me frequently join Mahacaraka trips. Firstly, Mahacaraka’s photography trips are meticulously designed, prepared, and executed. Secondly, their destinations are often unique. Thirdly, their concept aligns perfectly with my interest in People Photography, capturing cultural rituals, festivals, human interest, street scenes, and portraits.
Can you describe a particular experience or trip with Mahacaraka that has had a profound impact on your photography?
On Mahacaraka trips, I have learned a great deal about photography, from basic techniques to advanced skills and, most recently, creating photo stories. These experiences have significantly benefited my photographic development.
What advice would you give to other professionals who have a passion for photography but struggle to find time for it?
Everyone has the same amount of time; the difference lies in how we use it. If we have a genuine passion for photography, we should allocate time to learn and develop our photography skills.
In the heart of every professional lies a passion that often goes unnoticed amidst the hustle of daily responsibilities. This interview encapsulates the essence of balancing a demanding career with a fervent hobby, showing that with dedication and joy, it is possible to excel in both. As our interviewee continues to capture the world through his lens, his story serves as an inspiration for all who seek to blend their professional and personal passions seamlessly.
Hermandari's Journey Aging Gracefully With Cameras
Hermandari Kartowisastro, an inspirational woman in Indonesian photography, defies ageing stereotypes by following her vocation with unwavering zeal. At an age when many people opt to slow down, Hermandari began on an incredible trip, capturing the world’s beauty through her lens. Her tale is one of resilience, ingenuity, and an insatiable desire to explore.
What inspires you to travel and capture the world through your lens, especially at a time when many people slow down with age?
“I’ve enjoyed travelling since I was young. After my children finished school, I had the time to pursue my passion for travelling to exotic countries. Initially, I felt that something was lacking from my visits; images of these places hardly reflected their beauty. This realisation set off my career into photography. The advent of the digital era made it much easier to observe rapid results, which fueled my desire even more. At the age of 68, I participated in a two-week photography course. In 2023, I improved my talents by learning drone photography, which has added a new dimension to my work and allowed me to shoot magnificent aerial views. Photography has offered me great joy during my senior years.”
Are there any photographers or artists who have influenced your style or approach to photography?
“Henky Kuntjoro, I met him on a liveaboard diving trip in 2008 and was taken by his underwater and on-land photography, particularly his black-and-white compositions. Michael Kenna, a world-renowned B&W landscape photographer, has significantly influenced me with his lighting and austere compositions. These two photographers had a significant impact on my approach. While I experiment with numerous genres, I am most drawn to landscapes, simplicity, and minimalism. Portrait photography under Sandy Wijaya’s tutelage, as well as my natural affinity for art, particularly abstract and minimalist painting, impacted my style. I adore painters like Jeihan Sukmantoro, A.D. Pirous, and Umi Dahlan, whose works grace my home.”
Were there any challenges you faced in learning a new creative skill at a later stage in life, and how did you overcome them?
“Initially, learning photography was not difficult; it simply took practice and memorising procedures. However, in recent years, memory lapses have become a challenge. To prevent this, I take notes, edit my images on a regular basis, and play mentally demanding games like Sudoku and word puzzles.”
Do you have any exciting photography projects or adventures planned for the future? Why are they so exciting?
“I have various travel and photography ambitions that I aim to carry out. It’s always exciting to see new locations, learn about different cultures, and meet new people. This year, I’m particularly looking forward to going to Namibia for its spectacular vistas and deserts, chasing the aurora borealis in North Norway, exploring Kyrgyzstan, and visiting Oman.”
How do you curate the themes and locations for your photography tours to ensure a unique and impactful experience?
“Researching and reading about potential destinations is essential. With the abundance of information available nowadays, it is simple to identify intriguing sites. I look for appealing images of these areas, calculate the best times to travel, and pick what equipment to carry.
Was there a particular destination or moment during your Mahacaraka trip that stood out for you as a photographer?
“Yes, Lo Manthang, or Mustang, in northern Nepal, was very remarkable. The journey was thrilling, with a sense of danger. We had to prepare for fewer facilities while being healthy at high altitudes. After a nerve-racking flight from Pokhara to Jomsom, which came near to a crash two days later, we chose to travel overland. The three-day Tiji Festival was a highlight, providing rich experiences and captivating moments.”
Looking back at your incredible career, which photography project has been the most rewarding for you and why?
“My participation in the 16th ArtJog in 2023 was extremely fulfilling. I was happy to be chosen, and even more thrilled when one of my images from a Mahacaraka trip to Mexico in 2022 sold. La Catrina’s portrait, which was shown and sold, retains a particular place in my heart. ArtJog is a famous exhibition, and it was an honour to be picked as one of the few photographers, particularly as a woman.”
What advice would you give to aspiring travel photographers who want to join photography tours, especially at a later stage in life?
“First and foremost, maintain good health and a positive spirit. Exercise regularly and live a healthy lifestyle. Positivity is key, especially when travelling to exotic or underprivileged countries. Embrace the local culture and find joy in the unique experiences it offers, even if it differs from your own beliefs.”
Hermandari Kartowisastro continues to explore the world and capture its beauty, reminding us that age is just a number. Her story exemplifies the power of passion, resilience, and the delight of continuous learning. For anyone feeling the weight of age or uncertainty, Hermandari’s narrative shines a light on the limitless possibilities that await those who dare to pursue their ambitions. Let her adventure inspire you to pursue your passions, explore the unknown, and live life to the fullest, no matter what stage of life you are in.
Art of Observation: How Andre Zuardi Captures The Magic of Travel
Andre Zuardi’s lens captures more than just images; it conveys experiences. Andre has travelled to isolated parts of the world with Mahacaraka® – The Art of Travel, where he has captured encounters and feelings in stunning images. We sat down with Andre to see the world via his lens and learn tips for aspiring travel photographers.
“Travelling with Mahacaraka was a turning point,” Andre explains. “We went beyond the typical tourist destinations, discovering hidden gems. It was a cultural and historical immersion that had a profound impact on my photography. Andre emphasises the value of human connection in street photography. “Meeting other participants, particularly Sandy, The Leader of Mahacaraka® – The Art of Travel, sparked discussions about style and technique.” “It was an ongoing learning experience.”
So, how does Andre select his destinations? “Movies frequently ignite my travel spark,” he admits. “Upon arrival, I may seek for a scene from the film, but then I push myself to discover a fresh perspective. The idea is not to imitate, but to establish a new perspective.” Andre emphasises the importance of research as well. “Delving into a country’s history often leads me to ‘exotic’ locations, places waiting to be discovered through my lens.”
We asked Andre to contribute a photo that represents his inspiration. He points to New York City’s shot. It shot captures the essence of the city for me,” he says. “The iconic blue and white buses and the steam rising from tube grates – it’s a scene straight out of Scorsese’s Taxi Driver, yet it’s my own interpretation.” Andre’s ability to combine cinematic elements with his personal perspective is a defining feature of his style.
Andre believes that street photography is about freedom and capturing fleeting moments. “It’s the ability to observe and shoot without restrictions,” he states. “It’s about reacting swiftly to a circumstance that will never play out the same way again. I pick a captivating backdrop and then become an observer, looking for the right element to complete the composition.” Andre’s approach is similar to street casting, in which the photographer takes on the role of director, scouting locations and waiting for the perfect actors to materialise and bring the scenario to life.
Andre’s advise for prospective street photographers is simple: “Train your eye to observe, be quick to shoot, and resist the urge to constantly review your photos.” He emphasises the value of patience and mindfulness. “The best photos are often the ones you weren’t expecting, the moments that unfold organically when you’re fully present in the scene.” Andre’s concept extends beyond technical expertise; it is about building a sense of anticipation and attention while seeing the world unfold in front of your lens.
Beyond the interview, Andre’s fascinating images offer a visual voyage throughout the world. So, bring your camera, prepare for the unexpected, and let the world inspire your distinct vision.
Elisabet's Odyssey Through Cultures and Moments
Within the enormous expanse of photography, photos cease to be just snapshots and instead become portals into the core of cultures, tales, and the human experience. In this domain, Elisabet Chintia stands out, her camera capturing not just moments, but the soul of our variegated planet.
In an exclusive interview with Mahacaraka® Press, Elisabet reveals the core of her photographic journey—her passion, her obstacles, and the deep encounters that changed her viewpoint.
What does photography mean to you?
“For me, photography is about direct observation, whether through a lens or with the unaided eye, immersing myself in the complexities of global cultures and celebrations,” says Elisabet. Photography, for her, is a means of cultural discovery and personal expression.
Could you recount a memorable ‘behind-the-lens’ experience from your recent travels?
“The most gratifying aspect for me is capturing portraits of individuals from diverse ethnic backgrounds, each with their unique facial features and cultural nuances,” she says. Through her lens, she not only captures photographs but also digs into her subjects’ souls, weaving their experiences into her visual tapestry.
What is the most challenging aspect of photographing in unfamiliar environments, and how do you overcome it?
“Adapting to unfamiliar environments, be it extreme weather or unfamiliar cultures, poses a challenge,” she says. However, she approaches these challenges with humility and thankfulness, seeing them as chances for personal development and cultural immersion.
As you travel the globe, which local culture fascinates you the most?
“For me, the allure lies in Himalaya, Africa and India, where every tribe boasts its own unique customs, attire, and architectural marvels,” she says. She finds her inspiration in these varied cultural landscapes, capturing the essence of diversity with each click of her camera.
Can you summarise your photographic philosophy in a single sentence?
“Embrace the unique essence of each destination you visit,” Elisabet suggests. Through her lens, she welcomes viewers on a visual trip, encouraging them to enjoy the world’s many treasures with open hearts and questioning minds.
Elisabet’s insightful thoughts are accompanied with glimpses of her exceptional photography—timeless images that capture the soul of a location or the spirit of its people.
Through Elisabet Chintia’s vision, we are taken beyond geographical limits to a world where cultures collide, tales connect, and mankind discovers a common thread. Her photographs are more than just images; they are invitations to explore, connect, and celebrate the kaleidoscope of life that unfolds before us.